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AC at the podium
Four early feminist art historians at a national College Art Association convention: Eleanor Tufts, Ann Sutherland Harris, Linda Nochlin, and AC
Florida artist Kyra’s double portrait of AC and the late Eleanor Tufts, with the two sitters in front of the final work
AC with conductor Mario Venzago and former students Charlotte Whaley and harpist Laurie Vassallo, Indianapolis
AC (wearing her Austrian medal of honor) and Neue Galerie founder Ronald Lauder
AC with conductor Kurt Masur and former student, cellist Egga von Gemmingen, Leipzig Gewandhaus
AC and director Renée Price at Neue Galerie book-signing event of AC’s Klimt, Schiele, and In Passionate Pursuit books
AC in motion lecturing
AC with former student before her lecture In Passionate Pursuit at the Dallas Museum of Art
AC portrait
AC at the Guggenheim Museum in Bilbao with Jeff Koons' giant flower studded dog
AC and her publisher George Braziller agree on another book
AC and former students, three of four Horn brothers over the years at SMU
Dr. Randall Griffin: a colleague’s tribute to AC
Dr. Janis Bergman-Carton: a colleague’s tribute to Alessandra Comini
SMU Library exhibition on AC’s life and career, close up of window A
SMU Library exhibition on AC’s life and career, window B
SMU Library exhibition on AC’s life and career, window A
AC discovers the 1934 site of her parents’ wedding on a hotel rooftop in Ibiza, Spain (her mother was briefly Ernest Hemingway’s secretary)
Aspiring artist presents his self-portrait to AC
AC returns to Egon Schiele’s prison cell (now a museum in Neulengbach, Austria) which she discovered 43 years earlier (1963) and which became the subject matter of her first book
Newspaper coverage of AC’s retirement from teaching but not from lecturing
Inaugural statement concerning SMU’s creation of a Comini Lecture Series
AC warming up at piano before a public lecture
Egon Schiele and AC, Neue Galerie Schiele exhibition, New York
A young AC amid a richness of Egon Schiele watercolors, private collection, Vienna
AC lectures on Good Girls, Bad Women for the Santa Fe Opera, her first PowerPoint presentation
AC performs Wagner’s Wesendonck Lieder (almost)
AC in her slide room preparing a lecture
AC practicing the flute with captive canine audience
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